Finch House

Embedded within the home is a deep appreciation for old meets new and a respect for the remaining treasures of this inter-war period home. The near century old stained-glass windows have undergone significant restoration efforts, as well as the existing fireplace in the family living room to ensure the character and craftsmanship of these features live on well into the next century.

The design for the home’s interior is influenced by the owner’s personal art collection, with a notable emphasis on First Nations artists including Nyapanyapa Yunupingu, and Naminapu Maymuru-White. A carefully selected palette of soft blues, purple and green mirror the vibrancy of the art whilst simultaneously integrating the tonal elements of the Australian landscape. Gardens expertly designed by Dangar Barin Smith reinforce the synergy between the interior and exterior spaces, promoting a dynamic and culturally rich atmosphere.

In the dining area, a captivating scene unfolds with custom lilac curtains, chosen to complement Joshua Yeldham’s artwork, Tree Offering – Morning Bay, 2021. This space is thoughtfully designed to provide a formal dining setting that maintains an airy atmosphere during the day, and seamlessly transforms into an intimate and dramatic space in the evening. A pitched ceiling finished with light blue polished plaster crowns the sunroom, fostering a strong connection to the lush greenery of the landscaped gardens.

The conversion of the existing subterranean workshop into a vibrant rumpus room is a notable achievement. The once confined space with a crouch-height ceiling has undergone a complete metamorphosis, now boasting a 2.65m high ceiling. A significant architectural process in raising ceiling heights and preserving elements of the existing workshop, the space now seamlessly extends to a courtyard, equipped with a fire pit, providing a comfortable setting for entertaining.